Course Descriptions

FALL 2017:

FMS 160 – Intro to Film Studies (Sickels: T/Th 1:00-2:20 & 7:30-10:00, & W Screening 7:30-10:00)
This course introduces the historical and theoretical fundamentals of film studies. Representative films will be drawn from a variety of different eras, genres, and countries. Lectures, discussions, tests, and required weekly film screenings. Open to first-years, sophomores, and Film and Media Studies majors; others by consent of instructor.

FMS 260 – Intro to Filmmaking (Sickels: T/Th 11:30-12:50 & Th Lab 8:30-11:20)
This course introduces the fundamentals of the visual language and narrative structures of film. Students will collaboratively make their own short films. Extensive lab time required. Prerequisites: Film and Media Studies 160 or consent of instructor. Priority given to Film and Media Studies majors.

FMS 220 – Visions of the Apocalypse in Film & Media  (Campbell: M/W 1:00-2:20 & T Screening 7:30-10:00)
In recent decades, narratives about the end of world have become ubiquitous. These stories and images provide a way for artists and audiences to project and reflect a wide range of scenarios—including treatments of such topics as ecological collapse, pandemic, nuclear war, religious rapture, dystopia, and the revolt of intelligent machines. This course encourages students to explore common tropes, fantasies, images, and tones in film and other media as they coalesce around “the end of the world as we know it.” From there we will connect these issues to intersections with political, social, environmental, and philosophical problems. The class combines lectures, discussion, presentations, and writing assignments. Required weekly screenings.

FMS 387 – Film & Media Studies Theory (Campbell: M/W 2:30-3:50)
Using a variety of critical theories, this course focuses on the analysis of film and various other media forms. Students give presentations and write papers utilizing these various perspectives. The goal is for students to become more conversant in the many ways they can assess the significant influence media has in our lives. Open to FMS majors; open to other students with consent of instructor.

SPRING 2018:

FMS 170 – Introduction to Television Studies (Campbell: M/W 1:00-2:20 & M Screening 7:30-10:00) 
This course explores world culture through an analysis of what is arguably its central medium: television. Tracing the medium from its origins in radio to its digital future, we will investigate television as a site of identity formation, controversy, political power, and artistic experimentation. The course will also consider television in terms of industrial production and audience reception, including the rapidly changing practices associated with television viewing in the 21st century. Lectures, discussions, tests, and required weekly screenings.

FMS 360 – Advanced Filmmaking (Sickels: T/Th 11:30-12:50 & Th Lab 8:30-11:20)
In this intensive workshop course students will produce documentary films and commercials. Extensive lab time required. Priority given to Film and Media Studies majors. Prerequisites: Film and Media Studies 160, 260, or consent of instructor.

FMS 372 – Mean Streets and Raging Bulls–The Silver Age of Cinema (Sickels: 1:00-2:20 & W Screening 7:30-10:00)
In tracing film history from the demise of the studio, students in this course will study the all too brief era known as the American cinema’s “silver age,” during which maverick film school directors made deeply personal and remarkably influential films. Texts will likely include works by Coppola, DePalma, Friedkin, Altman, Allen, Polanski, Bogdanovich, Kubrick, Malick, and Scorsese. Lectures, discussions, a big research paper, an oral presentation, and weekly film screenings.

The following courses are also available for the major or minor:

Anthropology 312: Ethnographic Film Studies
Anthropology 325: The Anthropology of New/Digital Media
Art 103: Foundations-Art and Public Engagement
Art 104: Foundations-Digital Processes and Production
Art 109: Foundations-Optical Imaging
Art 123: Beginning Photography
Art 125: Beginning Digital Printing
Art 180: Beginning New Genre Art Practices
Art 223: Intermediate Photography
Art 225: Intermediate Digital Printing
Art 280: Intermediate New Genre
Art 323: Advanced Photography 
Art 325: Advanced Digital Printing
Art 380: Advanced New Genre 
Art History and Visual Culture Studies 230: The Social Life of Photography
Art History and Visual Culture Studies 235: Race and American Visual Culture
Art History and Visual Culture Studies 237/Theatre 357: Theory and Performance
Art History and Visual Culture Studies 253: Art and the Moving Image
Art History and Visual Culture Studies 351: Los Angeles: Art, Architecture, Cultural Geography
Art History and Visual Culture Studies 354: Race, Ethnicity, and the Urban Imaginary
History 290: History and Sociology of Rock n’ Roll
Sociology 290: Sociology and History of Rock n’ Roll
Rhetoric Studies 215: Visual Rhetoric
Rhetoric Studies 341/Sociology 341: The Rhetoric of Hip Hop
Theatre 125: Beginning Acting I
Theatre 126: Beginning Acting II
Theatre 222: Digital Rendering 3D Environments
Theatre 225 & 226: Intermediate Acting
Theatre 320: Directing for the Theatre
Theatre 357: Theatre and Performance
Theatre 466: The Director in Theatre II
World Literature 301: Chinese Literature and Film Adaptation
World Literature 325:  Imagining Community through Contemporary Japanese Fiction and Film
World Literature 330: Introduction to Chinese Cinema
World Literature 338: Undoing the Japanese National Narrative through Literature and Film
World Literature 349: China through the Cinematic Eye

Additional Core FMS Courses: 

FMS 220 – Identity, Gender, and Media (Elseewi)
This introductory-level class explores the relationship between media and multiple forms of “identity.” By critically exploring and deconstructing normative concepts of gender we shall open critical space to investigate other kinds of identity produced in and through media such as national, religious, ethnic, and class identities. We will focus on contemporary and historically specific examples such as radio and the construction of national identity in the 1920s; television and the production of the domestic housewife in the 1950s; and contemporary marketing techniques and the construction of impossible female bodies. We will bring feminist thought, critical theory, and cultural studies together with specific examples in order to analyze “identity-talk” in film, radio, television, and the Internet. The ultimate goal of this class is to produce an awareness of the different kinds of techniques that bring power and media together to create politically useful identities.  Required weekly screenings. Intended for first-year students and sophomores and Film & Media Studies majors; open to non-FMS major juniors and seniors by consent only.

FMS 230 – Science Fiction & Society (Elseewi)
Although long-derided as genre fiction, pulp, or simple entertainment, analyzing science fiction film and television can yield important clues about shared social anxieties and hopes.  In this class we will critically evaluate utopian and dystopian visual science fiction and fantasy through various lenses including: aesthetics, industrial concerns, politics, gender, and genre.  We will screen various examples of science fiction and fantasy film and television (such as Metropolis, 2001: A Space Odyssey, Star Wars, Avatar, Battlestar Galactica, and Lord of the Rings) and also discuss the use of science fiction and fantasy in video games. Required weekly screenings.

FMS 250-255 – Special Topics in Film and Media Studies (Elseewi, Sickels)
Topics in Film and Media Studies not generally considered in other courses offered by the department. Materials will vary by offering and my cover subject, developments, and concepts from early times to the present. Lectures, discussions, tests, papers, and/or weekly screenings. May be repeated for credit. Any current offering follow.

FMS 340 – Globalization, Culture, and Media (Elseewi)
This class will examine transnational media (including television, film, electronic networks, and mobile telephony) from aesthetic, economic, political, and critical theoretical perspectives. We will look at the role that media narratives play in enculturating viewers within and across physical, cultural, and linguistic borders. With an eye towards avoiding simplistic binaries such as East/West, Global/Local, or Good/Bad, we will explore the complex and contradictory impulses of global culture and globalization from multiple theoretical perspectives and academic disciplines drawing on cinema studies, postcolonial theory, literary theory, anthropology, political theory, cultural geography, and cultural studies.  Required weekly screenings.

FMS 373 – The Genius of the System–The Golden Age of Cinema (Sickels)
In tracing film history from its late nineteenth century beginnings to the 1950s, students in this course will study the era known as the American cinema’s “golden age,” during which the Hollywood Studio System dictated virtually all aspects of filmmaking. Texts will likely include works by Ford, Hitchcock, Curtiz, Hawks, Capra, Sturges, and others. Lectures, discussions, papers, and weekly film screenings.

FMS 498 – Honors Thesis
Research and writing of a senior honors thesis.  Open only to and required of senior honors candidates in FMS.  Prerequisite: admission to honors candidacy.